Showing posts with label Jo Ann Skousen. Show all posts
Showing posts with label Jo Ann Skousen. Show all posts

Sunday, February 17, 2019

Hollywood hypocrisy shown by The Favourite

Somebody’s Favorite | Liberty Unbound - Jo Anne Skousen:

February 10, 2019 - "In the wake of last year’s militant #MeToo movement, when actresses haughtily proclaimed, 'We will no longer be pressured into trading sex for jobs' (and bullied other actresses into wearing black at the event to show their solidarity), the Academy this year has bizarrely honored The Favourite with ten Oscar nominations, ... confirming once and for all (as if there were any doubt) that the Academy of Motion Picture Arts and Sciences has zero credibility and doesn’t know what the hell it is doing.

"Loosely based on the reign of Queen Anne and her relationships with Sarah Churchill,Duchess of Marlborough, and a servant named Abigail (eventually Lady Masham), the film suggests that the silly and childlike Anne made all of her decisions based on which woman’s tongue pleased her best — and I don’t mean by talking. The film fairly drips with transactional sex....

"Rachel Weisz, who plays Sarah Marlborough, called the film 'a funnier, sex-driven All About Eve.' In that film, an established star (Margo Channing) befriends an aspiring actress (Eve Harrington), only to see her try to usurp her position in the theater. Similarly, in The Favourite, a young social climber, Abigail (Emma Stone), .... worms her way cunningly — or in this case, cunnilingually — into the favor of Queen Anne (Olivia Colman) by befriending and then pushing aside the queen’s long-standing confidante and advisor, Lady Churchill (Weisz), simultaneously finagling a financially and socially beneficial marriage to regain her aristocratic status.

"Don’t misunderstand my objection — I enjoy a good bedroom farce, with doors slamming, lovers hiding, comic timing, and double entendres galore. But this is different. The Favourite doesn’t just joke about sex; it celebrates the use of sex to gain political power, and hypocritically undermines everything these same preening, moralizing Hollywood hotshots stood up for just last year.

"It also seems to justify rape, as long as it’s funny.... When Lord Masham enters Abigail’s servant quarters without being invited, she asks him, 'Are you here to seduce me or to rape me?” He responds, “I’m a gentleman.' 'To rape me, then,' she deadpans, and the audience chuckles....

"All I’m asking is that the Academy pick a side and stick with it. Or admit that it really has no backbone or underlying moral principles whatsoever, and quit pretending to have the upper hand on social morality....

"Liberty readers might well enjoy The Favourite.... It’s bizarre in many ways, but it’s also witty, opulent, and well-acted. It presents three powerful women controlling the throne and politics of England in their own womanly way.... All three women use their sex for trade, but they do it willingly and deliberately, from a position of power rather than victimhood. Is it possible — even probable — that women in Hollywood have been doing the same thing for over a century, and only cried 'outrage!' (and somehow managed to blame Republicans) after they were caught?"

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Sunday, October 7, 2018

White Boy Rick shows underside of Drug War

Casualties of the Drug War | Liberty Unbound - Jo Ann Skousen:

September 28, 2018 - "White Boy Rick is a rough and complex biopic based on the story of Richard Wershe, Jr., the youngest (at 14) undercover drug informant ever to be recruited by the feds to help them go after the kingpins in the drug trade. At times touching, ... at times enraging, the film shows the dark underside of the war on drugs in all its ugly glory: corrupt cops, heartless investigators, violent turf wars, strung-out druggies, and the poverty and despair that often lead people into the trade.

"The story is set in mid-’80s Detroit, against a backdrop of empty factories, rat-infested playgrounds, and worn-out homes in worn-out neighborhoods. Richard Wershe Senior (Matthew McConaughey) is a hustler with a gun dealer’s license.... He loves his family, but he can’t provide a good life for them. He has a license to sell registered guns at a meager profit, but the real money is in the 'upsell' — the illegal homemade silencers he offers along with them. 'The gun is the burger — but these are the fries,' he tells Rick, explaining how fast food servers are trained to make you think you want something you don’t really need. 'Now go out and sell you some fries.'

"Ironically, FBI agents Snyder (Jennifer Jason Leigh) and Byrd (Rory Cochrane) and Detective Jackson (Brian Tyree Henry) ply Rick with a burger and fries as they enlist his services as an undercover narc, threatening to arrest his father for illegal firearms sales if the boy doesn’t comply. This scene was particularly poignant to me, because several of my students at Sing Sing have told me that McDonald’s is the drug of choice for recruiting young drug runners in the streets.... Oh, so subtly, with a burger and fries, the film equates the Feds, the dealers, and Rick’s father....

"The scenes that follow show Rick immersing himself in the drug culture, with its fast money, easy women, and useless luxuries.... Hopelessness in impoverished neighborhoods often leads people to seek instant gratification and engage in risky behaviors. It makes no sense to save for the future when there isn’t a future in sight.... It’s all a pipe dream, mostly found at the bottom of a crack pipe. So grab a few laughs and some ass while you can. There isn’t going to be any more where you’re going.

"The feds are no better than the drug lords, and probably worse, because they claim to be the good guys. Driven by moral relativism, they see no problem with getting kids high, sending them into dangerous situations in order to catch drug dealers, and then leaving them to deal with their addictions — and their incarcerations — when they’re no longer useful....

"Rick Wershe may have been the youngest teen to be recruited as an undercover informant to avoid arrest, but he certainly isn’t the only one. According to an article by Tony Newman of Drug Policy Alliance, it has become all too common to bust people for minor possession and then threaten them with decades in prison unless they provide evidence on someone else -– and for those frightened, untrained informants to end up dead. Rick didn’t end up dead, but he might as well have, when his handlers stood idly by as he was sentenced to life in prison with no chance of parole — for selling cocaine. It was the longest sentence for a nonviolent crime ever imposed, until Ross Ulbricht was sentenced to two consecutive life sentences for running the Silk Road website.

"I watched the tears quietly trickle down 17-year-old Rick’s cheeks in the closing scenes of the film as he spoke through prison glass to his equally distraught father, and the tears quietly streamed down my cheeks too. I know too many of these young men — now middle-aged — who have been incarcerated since they were teens because they were enticed into a drug trade that is only lucrative and deadly because it is illegal. There are no good guys in the war on drugs. There is only bad law. And bad schools. And bad neighborhoods without hope."

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Free Richard Wershe Jr. on facebook: https://www.facebook.com/FreeRickWersheJr 

Sunday, August 12, 2018

Anthem Festival premieres libertarian films

A FreedomFest Report | Liberty Unbound - JoAnn Skousen:

July 23, 2018 - "FreedomFest, LasVegas, July 2018.... We wanted this year’s event to involve our attendees more directly — not just sitting in chairs listening to speakers, but participating actively in the discussion. So we lengthened our Q&A times, reduced the number of breakout sessions, created a scavenger hunt ... added 'conversation circles' in the evenings [and] expanded our 'FreedomFest after Dark' activities with Karaoke ... and clubbing at a local night spot....

"Others found their way to the Anthem Libertarian Film Festival — and some never left.... We had the best films and the best attendance in our eight-year history, with four world premiere films, five SRO screenings, 11 hard-hitting panels, and films that inspired us even as they told stories that outraged us. Libertarian films can be depressing when they’re set in dystopian futures or focus entirely on the hopelessness of big government; what I loved about this year’s lineup is that they offered hope for a brighter future through greater freedom, greater courage, greater understanding, and greater technology. And the production values of our films this year were top notch.....

"One of my favorites was the Best Comedy winner The Inconsiderate Houseguest (Rob and Letitia Capili), which offers a subtle (Rob claims 'unintended') and unexpected theme about immigration beneath its quirky story about an uptight, rule-oriented roommate. 'Subtle' is the key here; messages don’t need to shout if they are presented well. Storytelling can be more powerful than a lecture because of the emotional connection it creates with the audience....

"The $2,500 Anthem Grand Prize went to Skid Row Marathon (Mark Hayes, director), an inspiring documentary about L.A. Judge Craig Mitchell who, troubled by the outrageous mandatory sentencing he was forced to impose, started a running club to help former felons regain their self-confidence and restart their lives.... Club member Rafael Cabrera was on hand for the Q&A following the screening. The film also won the $500 AnthemVault Prize for Best Original Score, featuring music composed by club member Ben Shirley. I defy you to watch this film with a dry eye.

"Saber Rock (Matt and Thomas Locastro, directors), about a young Afghan interpreter for the American military who was targeted for assassination by the Taliban when he began teaching children about the principles of freedom, won the Anthem award for Best Short Documentary. The real Saber Rock attended the festival and gave an impassioned opening night speech to the FreedomFest crowd.... He was awarded Anthem’s Special Jury Prize for heroism and received a standing ovation from the audience.

"Festival judge Gary Alexander argued at the judges’ meeting that America Under Siege: Antifa was one of the most important films at the festival because it reveals the truth behind the rising violence against free speech. Meanwhile, the gentle tone of Off the Grid with Thomas Massie won the hearts of festival attendees, who awarded it the Audience Choice trophy. Director Matt Battaglia follows the brilliant MIT graduate and inventor around the Kentucky farm that he built and maintains with his own hands as he talks about the priorities in his life and why he went to Congress.... A second Audience Choice trophy was awarded to Jimmy Morrison for his film The Housing Bubble, which features interviews with FreedomFest regulars Doug Casey, Peter Schiff, Jim Rogers, Gene Epstein, Tom Palmer, and others....

"The Anthem Libertarian Film Festival is one of the fastest-growing features of FreedomFest, and also the best kept secret. Film aficionados can purchase a FilmLovers Pass for all four days [that] includes all the films, plus film panels featuring top FreedomFest speakers and entrance to the exhibit hall. You can’t attend the FreedomFest general sessions or breakout sessions with it, but come on — with films and panels like these, who needs FreedomFest?"

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Sunday, August 14, 2016

Two libertarian Olympics films

The Olympics and Liberty | Liberty Unbound - Jo Ann Skousen:

March 8, 2016 - "I’m often asked what makes a film 'libertarian.' Does it need to be set in a dystopian totalitarian future? Must the protagonist be fighting a government bureaucracy or authority? Many libertarian films do contain those features. But my favorites are those in which a protagonist achieves a goal or overcomes obstacles without turning to the government to fix things.

"Two such films are ... based on true stories about Olympic athletes who achieved their goals in spite of government interference, not because of government aid. Race tells the Jesse Owens story, and Eddie the Eagle tells the Michael Edwards story. Both are worth seeing.

"Race is the perfect title for this film that focuses on both racing and racism. Owens was one of the most famous athletes of the 20th century. Historian Richard Crepeau (who spoke at FreedomFest last year) described the 1935 college track meet at Ann Arbor in which Owens, in the space of 45 minutes, set three world records and tied a fourth as 'the most impressive athletic achievement since 1850.' Nevertheless, Owens (Stephan James) is not welcome at the 1936 Olympics in Berlin. Adolf Hitler (Adrian Zwicker) intends to use 'his' Olympics as a propaganda piece to highlight the physical superiority of the Aryan race, and he does not want any blacks or Jews to spoil his plan....

"The film reveals the backstage negotiations between Olympic Committee representative Avery Brundage (Jeremy Irons) and the German organizing committee at which Brundage insisted on assurances that Jews and blacks would be allowed to compete. Brundage’s insistence is somewhat hypocritical, considering the treatment Owens and other black athletes were enduring at home, but he was successful in forestalling a threatened American boycott of the Games."

"Owens faces similar pressure from the NAACP, as he is warned that he ought to boycott the Games ... but in the end he delivers the most resounding protest of all, winning four gold medals and derailing Hitler’s plan in short order. This is as it should be. What good would it have done if Owens had stayed home to protest German policy?...

"Eddie the Eagle tells the story of an Olympic hero of a different sort — one who is remembered for his tenacity rather than his innate skill. Michael Edwards ... simply dreams of being an Olympian; he doesn’t care what sport.... Ironically, Eddie is motivated by a picture of Jesse Owens in a book about the Olympics....

"Eddie settles on skiing as his sport and manages to qualify for the British Olympic team, but the Committee cuts him because he 'isn’t Olympic material'.... Undaunted, Eddie turns to ski jumping because — well, because no one else in Britain competes in ski jumping.... This is the same year that the Jamaican bobsled team slipped through the same loophole — a loophole that was quickly closed before the following season. Now athletes must compete internationally and place in the top 30% of finishers in order to qualify. But in 1988, if you could find a sport that few people in your country competed in, you could literally 'make the team'....

"It’s a great story about overcoming obstacles, sticking with a goal, and ignoring the naysayers. It demonstrates the power of a mother’s encouragement, and the possibility that even a poor, farsighted boy from a working-class neighborhood can achieve his dream — if he doesn’t kill himself practicing for it."

Read more: http://www.libertyunbound.com/node/1527
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Sunday, July 14, 2013

Libertarian film festival founder Jo Ann Skousen interviewed by Las Vegas Weekly

Film festival draws Libertarian filmmakers and fans to Las Vegas - Las Vegas Weekly - Andrea Domaneck:

July 12, 2013 - "The third-annual Anthem Libertarian Film Festival returns to Las Vegas, part of the Freedom Fest conference, a gathering of several thousand libertarian thinkers self-described as the world’s largest gathering of free minds.

"Contrary to its name, the film festival does not take place in Anthem, but rather at Planet Hollywood in Sin City Theater and The Studio. The festival opened Thursday night with a keynote address from former Mayor Oscar Goodman and continues through Saturday. One highlight: A speech from Republican Sen. Rand Paul of Kentucky.

"Festival founder Jo Ann Skousen discusses the festival’s roots, what makes a film Libertarian and what’s in store for the weekend."

Read more: http://www.lasvegasweekly.com/news/2013/jul/12/libertarian-film-festival-freedomfest-vegas-anthem/
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