Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Thursday, January 16, 2020

Heinlein fans launch libertarianism into space

Forget Earth: In Space, Libertarian Ideas Are Thriving | WIRED -Sarah Scoles:

December 12, 2019 - "You may have heard the phrase 'There ain’t no such thing as a free lunch'.... Its acronym — TANSTAAFL — pops up in subreddits ... sweatshirts ... and as a nerdy economics rap on YouTube. Also: For the first eight years of the Libertarian Party’s existence, TANSTAAFL was its official slogan. So it may come as a surprise that this oh-so-political meal owes much of its popularity to a single book, about an anti-state revolution ... on the moon.

"Written by sci-fi luminary Robert Heinlein, The Moon Is a Harsh Mistress is a libertarian manifesto baked into a novel. Heinlein infused his works with recurring sociopolitical themes, among them 'the importance of individual liberty and self-reliance,' as a sci-fi writers' society that anointed him its first Grand Master wrote. His interest in personal autonomy and private space exploration later seeped into the writing of other sci-fi authors, and into the minds of their readers—in particular, the leading figures in the commercial 'NewSpace' sector of private companies trying to escape Earth's surface.

“'The predominantly libertarian people who work in the free space movement almost universally cite Heinlein as their principal inspiration,' wrote engineer Robert G. Kennedy III.... Some of Heinlein's fans are, in fact, the biggest names in the commercial space industry. Take two of the (three total) people who've won the Heinlein Prize, a $500,000 award for accomplishments in the commercial space business: Jeff Bezos and Elon Musk. Bezos, who has faced speculation about his hypothetical libertarianism and whose gargantuan store certainly ducks taxes and regulation, has said he spent his childhood summers reading Heinlein.

"Musk, meanwhile, has called himself both moderate and 'somewhat libertarian.' He wants his Mars outpost to have a direct democracy where it’s harder to make laws than delete them — a stance that leans libertarian. Musk too has labeled The Moon Is a Harsh Mistress one of his inspirations....

"For today's billionaire space set, though, ... NewSpace companies are pretty much regular old government contractors in new-brand clothing. They run on defense department and NASA contracts; they rely on federal perks. 'Taxpayer dollars often sustain these mythically self-made entrepreneurs,' says scholar Victor Shammas... 'The state,' he continues, 'is NewSpace’s biggest customer.”

"Yet assuming these companies succeed, their leaders may well place a philosophical stamp on any space outposts that emerge. One day, when your grandkids or friend's kids' kids are riding their hover-scooters around Mars Township B2, they could be living out aspects of Heinlein's libertarian dream."

Read more: https://www.wired.com/story/forget-earth-in-space-libertarian-ideas-are-thriving/
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Sunday, April 7, 2019

A new look at the libertarian "giant of SF"

Robert A. Heinlein: the ‘giant of SF’ was sexist, racist — and certainly no stylist | The Spectator - Christopher Priest:

March 30, 2019 - "Robert A. Heinlein appears in his late fifties to have come across a how-to book about sex. Thereafter an instant expert, he wrote novel after novel brimming with it, much of it laughably theoretical and, well, wrong.... Not unrelated to this, he was a rampant sexist, the sort of man who praises the superiority of women while inadvertently revealing that deep down he is full of prejudices and controlling instincts. Worse, he was a racist in an identical way. Examples abound, most of them devastatingly analysed in Farah Mendlesohn’s The Pleasant Profession of Robert A. Heinlein....

"Mendlesohn describes how Heinlein, who when younger had made a well-earned name for himself as an author of serious and innovative speculative fiction, became a rotten writer in the second half of his career. He always told stories well, but his style was execrable. From Starship Troopers (1959) onwards, his books had an endlessly hectoring, lecturing tone, almost always phrased in long and unconvincing conversations full of paternalistic advice, sexual remarks, libertarian dogma and folksy slang....

"The stories and novels from the pre-war part of his career were notable for the firm sense of competence and reliability. They were, like his later work, told well. His style was terse, rather like that of a literate drill sergeant. Unlike the other science fiction current at the time, Heinlein’s speculative stories were not only set in plausible futures, but the people who moved in those worlds were strong, believable and effective.

"At the end of the war he began a series of juvenile novels, aimed unerringly at young readers but told in the same didactic voice. These novels, not published in the UK until years later when Heinlein was famous, had a profound effect on their American readers. There is still today a generation of middle-aged and elderly American science fiction writers for whom Heinlein is in a position of seminal influence, similar to Hemingway in other literary circles. Heinlein’s influence on modern American science fiction is not universal, but still detectable.

"In the 1950s he wrote some of his best adult novels, notably Double Star (1956), in which an actor is recruited to impersonate an important politician, and The Door into Summer (1957) — a time-travel novel for cat lovers everywhere.

"On politics, Heinlein wrong-footed his critics. Broadly speaking he was always a libertarian, but when he was young he described himself as a left-leaning liberal, and when older became not exactly extreme right-wing but everything but. He was full of seeming contradictions. As a libertarian he of course loathed big governments, but also as a radical thinker believed in world government, the biggest one of all. He supported the family unit but never had children. He was outspoken on the need for an American nuclear build-up, and was a vocal supporter of civilian guns — he coined the phrase 'an armed society is a polite society' — but several of the later novels questioned the actual and moral deterrent effectiveness of guns.

"Mendlesohn’s book bespeaks long and detailed work, but the result is difficult to read and follow.... For now it will act as an instruction manual on Heinlein, but its academic reliance on secondary texts will deter many readers who might otherwise be interested."

Read more: https://www.spectator.co.uk/2019/03/robert-a-heinlein-the-giant-of-sf-was-sexist-racist-and-certainly-no-stylist/
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Sunday, August 19, 2018

The Polity is libertarian space opera done right

The Polity Is Libertarian Space Opera Done Right | WIRED:

July 28, 2018 - "The Polity series by English science fiction author Neal Asher is a limitless thrill-ride of grotesque aliens, badass hardware, rogue AIs, and deadly secret agents. It’s got everything a science fiction fan could want from an action-adventure story, and that’s definitely by design. 'I wanted a universe — a future history, if you like — big enough to tell just about any science fiction story I’d want to tell,' Asher says.... 'And that’s how The Polity came about.'

"The series is set hundreds of years in the future, when humanity has expanded throughout most of the galaxy, and a benevolent civilization called the Polity has brought peace and stability to thousands of worlds. The stories are mostly set on the periphery of this civilization, where Polity agents struggle to exert control. ''Stories are conflict, and inside the Polity there isn’t so much of that,' Asher says. 'Within the Polity it’s pretty much utopian.'

"In contrast to progressive visions of the future seen in Star Trek or the Culture series, the Polity is a libertarian utopia where all paternalistic laws have been abolished and the free market reigns supreme. But Asher says he’s not interested in sending any sort of message in his fiction. 'I just wrote it as I saw it,' he says. 'I’ve never thought that much about it. My aim is to tell a story and to entertain.'

"He’s more outspoken on Twitter, where he regularly posts about politics. He says that social media has made him acutely aware of just how unwelcome his views are in the overwhelmingly liberal world of science fiction, to the extent that he simply avoids science fiction conventions altogether.

“'I look around at the writers that I know of, that I see on Twitter, and the political opinions and all this kind of thing, and I’m just not one of the herd in that respect, so I keep out of it,' he says. 'I can’t see myself sitting on a panel on anything like that and keeping my mouth shut, so it’s probably best if I don’t go.'"

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Sunday, March 4, 2018

Assassin's Creed: Games with a libertarian p.o.v. (video)

Assassin's Creed: Games with a Libertarian View of the World (New at Reason) - Hit & Run : Reason.com:

February 23, 2018 - "Video games have become one of our most influential, popular, and creative forms of media. Last year, the industry generated almost $150 billion in revenue worldwide, rivaling books and films and dwarfing music.

Gamers spend over three billion hours a week in the virtual worlds of their choosing. And more so than other contemporary forms of media, video games explore the themes of freedom and personal agency, allowing players to go where they want and do what they please — as long as they're prepared to bear the consequences....

"But it's the Assassin's Creed series, published by Ubisoft, that puts the conflict between liberty and authority at the center of its plots, its characters, and the alternate history in which the games are set....

Click here for full text, a transcript, and downloadable versions."

Read more: https://reason.com/blog/2018/02/23/assassins-creed-games-with-a-libertarian
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Sunday, October 8, 2017

The Prisoner turns 50 (video)

The Prisoner Turns 50 - Hit & Run : Reason.com - Jesse Walker:

September 29, 2017 - "The Prisoner — a science fiction series about a former spy confined in a mysterious totalitarian enclave — was both the most experimental and the most anti-authoritarian TV program of the '60s. It first aired 50 years ago today, so I'll mark the occasion with one of my favorite installments: 'Living in Harmony,' the episode that answers the question, 'What would a western written by Philip K. Dick look like?'"

Read more: http://reason.com/blog/2017/09/29/the-prisoner-turns-50
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Sunday, July 16, 2017

‘Game of Thrones: Libertarian Edition’ (video)

Reason releases hilarious parody video ‘Game of Thrones: Libertarian Edition’ – TheBlaze - Brandon Morse:

July 14, 2017 - "With season seven of the smash HBO show “Game of Thrones” debuting on Sunday, Reason has released another hilarious video putting a libertarian spin on the fantasy epic.

"Reason’s  Austin Bragg, Meredith Bragg, Andrew Heaton, and Remy Munasifi have made libertarian versions of “Star Trek” and “Star Wars” in the past. “Star Trek: Libertarian Edition” won a Southern California Journalism Award for Best Humor/Satire Writing of 2016.

"The video features Heaton and Austin Bragg playing numerous roles. Heaton plays the Hand of the King attempting to convince the small council that small government and non-interventionism is the key to a more prosperous Westoros.

"Heaton and Austin Bragg also play two members of the Night’s Watch trying to figure out why their ancestors built a giant wall to keep out the 'free folk,' people who marry whoever they want, live however they please, and elect leaders instead of being under the rule of someone they never approved of."

Read more: http://www.theblaze.com/news/2017/07/14/reason-releases-hilarious-parody-video-game-of-thrones-libertarian-edition/
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Sunday, May 15, 2016

Captain America, libertarian and heterosexual

Captain America is Straight and Libertarian, Deal with It | Heat Street - William Hicks:

May 10, 2016 -"There is an epidemic of naval gazers in this country. People who take a nice piece of pop culture that they don’t really care about, then nitpick it to death while projecting their own political pet issues onto it. This is resoundingly true with the new Marvel film, Captain America: Civil War....

"Two habitual naval gazing rags, Salon and Vanity Fair, have done their jobs well, finding just the right jabs to take down a straight-white-male like Captain America.

"Salon’s piece, 'Captain America’s a douchey libertarian now', details Cap’s descent from lovable liberal globalist to vile Ayn Rand-reading individualist.

"In Civil War, Captain America refuses to sign a dumb UN accord that would basically neuter him as a superhero and make him unable to help his friend Bucky, who he believes was framed. The accord aimed to turn The Avengers into ineffectual UN peacekeepers, like the ones that did such a good job in Bosnia and Rwanda.

"'[W]e have this distracting plot where Steve suddenly turns from a level-headed liberal to a Ayn Randian libertarian douchebag who throws tantrums because he has to do grown-up stuff like share power instead of make unilateral decisions for other people,' says the Salon piece by Amanda Marcotte.

"Yes, we do get a bad-ass libertarian Cap, who makes his own judgements and fights for his own sense of justice. He tells the UN pansies to eat it and prevents his friend from being executed without trial by extra-judicial government agents.... Basically all superheroes have hints of libertarianism in so far as vigilantism is diametrically opposed to government oversight....

"And then there’s this Vanity Fair piece, 'Is This the One Flaw in the Otherwise Great Captain America: Civil War?' The one flaw is Cap’s outright heterosexuality.

"Apparently Cap’s love interest — who takes up, at tops, five minutes of the movie — was too much for the author, Joanna Robinson. A sexually ambiguous Captain would have played better into Robinson’s fantasy of a Cap + Bucky romance.  'If Disney isn’t inclined to give audiences a gay superhero, couldn’t they have at least left us the dream of Bucky and Cap?'...

"Robinson, if you want to make the Cap-Bucky romance a reality, write erotic fan fiction like a normal person. You can even throw in a steamy Security Council scene for good, liberal measure."

Read more: https://heatst.com/culture-wars/captain-america-is-straight-and-libertarian-deal-with-it/
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Thursday, March 12, 2015

Fantasy author Terry Pratchett dead of Alzheimer's

How Terry Pratchett Made Me a Libertarian - Hit & Run : Reason.com - Scott Shackleford:

March 12, 2015 - "It may [be] difficult to explain how remarkable Terry Pratchett's Discworld novel series is in the way it expressed concepts of liberty and self-determination to a libertarian who has never read him.... He never used the word 'libertarian' in any of his books. Though his characters could work up a good rant or two when somebody had done something breathtakingly stupid, there were no Ayn Rand-style multi-page screeds about how people should live or behave. That's because he made it all live and breathe as a writer. He used the fantasy setting and familiar fantasy concepts like dragons and magic to explore themes of power, corruption, authoritarianism, and the problem with thinking you know what's best for everybody else....

"Today, Pratchett's publishers announced that the writer has died at the age of 66 following a struggle with early onset Alzheimer's disease....

"It was actually the villains who helped define the libertarian streak of Pratchett's books. The villains were the ones with the big ideas and schemes. Of course, fantasy novels are known for evil wizards and warlords trying to conquer the known lands for greedy goals. Pratchett took these villains and gave them a twist: Many of the antagonists in these books were insistent that their authoritarian goals of conquest were serving to improve the lives of others. Books like Small Gods (one of Pratchett's best — I encourage everybody to read it) tackled how mass religious movements can be captured from within to serve the aims of just a few, taking it to a place that even its own god never intended and destroying so much. Jingo took on the privileged rich who beat the drums of war to bolster the state. Night Watch took on police corruption and abuse in the service of authority. It even had a side plot about the use of its own version of waterboarding. The book was published in 2002, before we even knew what was going on in our name overseas. He won a Prometheus Award from the Libertarian Futurist Society for that book, and the previous year for The Truth, which tracked the development of Discworld's first printing press, and subsequently the idea of what a 'free press' actually is (the villains in that novel obviously thought dimly of the concept). Pratchett's ultimate villains were 'the auditors,' shapeless cosmic beings who craved nothing so much as order and complete stasis in the universe. They hated humanity for how uncontrollable they were and how much everything people did changed the nature of the world around them in completely unpredictable ways.".

Read more: http://reason.com/blog/2015/03/12/howterry-pratchett-made-me-a-libertarian
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Tuesday, August 6, 2013

Pirate Cinema, Cryptonomicon win 2013 Prometheus Awards

2013 Prometheus Award Winners Announced - Libertarian Futurist Society (press release):

July 20, 2013 - "The Libertarian Futurist Society has announced the Prometheus Awards winners for Best Novel and Best Classic Fiction (Hall of Fame), to be presented Friday Aug. 30, 2013 at LoneStarCon3, the 71st Annual World Science Fiction Convention in San Antonio, Texas.

"Cory Doctorow won the award for Best Novel for Pirate Cinema (TOR Books). Doctorow also won the Best Novel award in 2009 for Little Brother. Doctorow explores themes of artistic freedom, Internet freedom and peaceful social change while shedding light on issues of copyright and government surveillance in Pirate Cinema, an optimistic young-adult novel about a young pirate filmmaker whose Internet activity threatens his family with government reprisals and who learns to fight back against outdated forms of control.

Cryptonomicon, a 1999 novel by Neal Stephenson, has won the 2013 Prometheus Hall of Fame award for Best Classic Fiction. Set during World War II and during the early 21st century, Stephenson's novel explores the implications for a free society in the development of computation and cryptography....

Also recognized as Best Novel finalists for the best pro-freedom novel of the past year are Arctic Rising, by Tobias Buckell (TOR Books); The Unincorporated Future, by Dani and Eytan Kollin (TOR Books); Darkship Renegades, by Sarah Hoyt (Baen Books); and Kill Decision, by Daniel Suarez (Dutton - Penguin)....

"Also recognized as Hall of Fame finalists: 'Sam Hall', by Poul Anderson (a short story, published 1953 in Astounding); Falling Free, by Lois McMaster Bujold (a novel, published 1988); '"Repent, Harlequin!" Said the Ticktockman', by Harlan Ellison (a short story, published 1965 in Galaxy); Courtship Rite, by Donald M. Kingsbury (a novel, published 1982); and 'As Easy as A.B.C.', by Rudyard Kipling (a short story, published in London Magazine in 1912).

"The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was established in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in SF."

Read more: http://lfs.org/releases/2013Winners.shtml